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Muse vs. Celine Dion

Posted by: Alan Cross | Nov 9 2009 12:00AM

Sounds like the guys in Muse were always keen on world domination and had some good advice on how to do it. Around the time of their first album, Showbiz, in 1999, they figured out a way to acquire worldwide performing rights to their name.

Once they did this, there was no way for anyone anywhere to legally use the word "muse" in any sort of performance that involved music. In 2002, Celine Dion was signed to a big Las Vegas contract and she decided that she wanted to call the production Muse. Uh-huh. Can’t do that. The guys from the band threatened legal action. Dion offered $50,000 to buy the rights.

The band say "No way. The last mistake we want to make is let people think we’re you’re backing band." In the end, Celine Dion backed down and Muse had successfully protected their name.



Filed Under: Ongoing History of New Music


COMMENTS (1)

jocelyn
RE:Muse vs. Celine Dion
Nov 9 2009 12:52PM
good lord. she couldn't come up with an orignal name to call her production and instead had to settle on a name that's already taken by a kickass band we know and love as muse? her pr & promo dept need a genius with creativity.

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Ongoing History of New Music LogoThe Ongoing History of New Music debuted in February 1993 on radio station 102.1 The Edge/Toronto. Since then it's...well, it's taken on a life of its own. Consider: More than 500 different one-hour episodes have been produced, making it the longest-running music documentary in Canada and one of the longest in North America. More than 5,000 one-minute daily features have been written and produced. The program is syndicated on virtually every major rock station in Canada. The Ongoing History of New Music show has spun off four books (all written by Alan Cross), which have worldwide sales of over 30,000 copies, not to mention almost 20 different compilation CDs (including four official Ongoing History discs).

 

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